Swiss art curator Harald Szeemann (1933-2005) organized more than 150 exhibitions during a career that spanned almost five
decades. An advocate of movements such as conceptualism, land art, happenings, Fluxus and performance, and of artists such
as Joseph Beuys, Richard Serra, Cy Twombly and Mario Merz, Szeemann developed a new form of exhibition-making that centered
on close collaborative relationships with artists and a sweeping global vision of contemporary visual culture. He organized
vast international surveys such as
documenta 5, as well as retrospectives of individual artists including Sigmar Polke, Bruce Nauman, Wolfgang Laib, James Ensor,
and Eugène Delacroix, and thematic exhibitions on such provocative topics as utopia, disaster, and the "Plateau of Humankind."
His papers thoroughly document his curatorial practice, including preliminary notes for many projects, written descriptions
and proposals for exhibitions, installation sketches, photographic documentation, research files, and extensive correspondence
with colleagues, artists and collaborators. At this time, only Series I. Project files, Series II. Artist files and Series
IV. Photographs are available for research. The remainder of the archive is unprocessed. Each series will be opened for use
as processing is completed.
Among the most influential art curators of his generation, Harald Szeemann (Swiss, 1933-2005) organized more than 150 exhibitions
during a career that spanned almost five decades. He studied art history, archaeology and journalism in Bern and Paris and
had a brief, but successful, theatrical career before he organized his first exhibition in 1957. In 1961 at the age of 28
he became one of the youngest museum directors in the world when he was appointed to head the Kunsthalle Bern. From 1961 to
1966, Szeemann was also in charge of the exhibition program at the Städtische Galerie Biel. Szeemann gained prominence through
a lively and experimental series of exhibitions that included early projects with Robert Rauschenberg, Andy Warhol, James
Rosenquist, and Christo. In addition to showcasing current developments in contemporary art such as kinetic art, op art, and
happenings, Szeemann also examined areas of early twentieth-century modernism such as Dada and surrealism, including artists
such as Marcel Duchamp, Kazimir Malevich, and Vassily Kandinsky, as well as various fields of visual culture such as Art Brut,
science fiction and religious iconography.
1400.0 linear feet
Library Reproductions and Permissions.
Series I, II and IV are open for use by qualified researchers with the following exceptions. Boxes 81, 214, 224, and RX are
sealed pending further review. Boxes 82, 215, and 252-267 are unavailable until conservation treatment is completed. Box 1074B
requires special handling; contact the repository regarding access. Audiovisual materials, nitrate negatives and computer
files are unavailable until reformatting is complete. Boxes 1074C and 1074D are restricted due to fragility; contact repository
to request digital imaging. The remainder of the archive is unprocessed. Each series will be opened for use as processing