Description
Literary papers of George Oppen (1908-1984), objectivist poet and winner of the Pulitzer Prize for Poetry in 1969. Most of
the materials date from the period 1958-1978. Included are manuscripts and typescripts for all the poems contained in Oppen's
nine published books -- DISCRETE SERIES (1934), THE MATERIALS (1962), THIS IN WHICH (1965), OF BEING NUMEROUS (1968), ALPINE
(1969), SEASCAPE: NEEDLE'S EYE (1972), COLLECTED POEMS (London, 1973; New York, 1975), and PRIMITIVE (1978). Also included
are drafts and fragments of unpublished poems, typescripts of published and unpublished essays, transcripts of Oppen's verse,
and copies of reviews of Oppen's work. Of special interest are loose leaf pages of notes, and Oppen's personal daybooks,
all of which help to reveal his thinking about diverse subjects. The largest part of the collection consists of correspondence
to Oppen from family members, editors, poets and other writers, and admirers of Oppen's work. Notable correspondents include:
Paul Auster, Anthony Barnett, Rachel Blau DuPlessis, William Bronk, John Crawford, Ted Enslin, Michael Heller, David Ignatow,
James Laughlin, Jon Martin, Charles Reznikoff, Harvey Shapiro, John Taggart, Charles Tomlinson, Eliot Weinberger, William
Carlos Williams and Louis Zukofsky. The collection is arranged in ten series: 1) CORRESPONDENCE, 2) NOTES, JOTTINGS, ETC.,
3) DAYBOOKS, 4) POETRY, 5) READING MANUSCRIPTS, 6) PROSE, 1962-1984, 7) INTERVIEWS, 1968-1980, 8) TRANSLATIONS OF OPPEN'S
POETRY, 9) REVIEWS AND EPHEMERA, and 10) MICROFILM. The additions processed in 1989 include Oppen's letters to critic Henry
Weinfield and John Crawford, two letters from William Bronk, a typescript of a poem based on a phrase from a poem by Charles
Reznikoff, a transcript of a 1973 BBC interview, a brochure from a 1986 exhibit of "This In Which," a program from Oppen's
"75th Birthday Tribute" at the Poetry Center (1983), an "In Memorium" article by Hugh Kenner, a Certificate of Honor presented
to him by the city of San Francisco, a typescript of Naomi Replansky's "The Darkening Green", a mock up of Mark Linenthal's
"Growing Light", published versions of THE MATERIALS and THIS IN WHICH with author's annotations and editions, and a small
collection of newspaper articles written about the poet. The 1989 additions are not on the microfilm.